27 September 2010
Utopia and Constant Filter reviews
Got some nice reviews from various places for some of my compositions.
Of Tom Kerstens' CD Gramophone said ..."Metcalfe's superb 'The Third Five' a triptych for solo guitar and digital delay, and the sombre, elegiac 'As She Fell', this is music that for the most part eschews complicated musical development in favour of hypnotic cascades of sound and visceral, rhythmically vibrant accretions. "
Classic FM magazine commented " John Metcalfe's music, particularly The Third Fire for guitar and digital delay, is more mainstream classical - modal harmonies and syncopated rhythms lend a Spanish/latin feel: Albeniz or Villa-Lobos scattered by a dazzling, 21st-century prism."
For 'Constant Filter' the Independent gave it 4 stars and commented ...
Using computerised octave-splitters and delay units, Barley achieves a surprising depth of sound and harmonic richness, particularly on the title-track, where echoing wisps of electronic sound flutter around the cello like butterflies; Lonely Bay, on which the concentration necessitated by using a 40-second loop imposes a deep meditative calm; and The Appearance of Colour, where the slow accretion, note by note, of a single 25-note chord produces an imposing serenity."
Of Tom Kerstens' CD Gramophone said ..."Metcalfe's superb 'The Third Five' a triptych for solo guitar and digital delay, and the sombre, elegiac 'As She Fell', this is music that for the most part eschews complicated musical development in favour of hypnotic cascades of sound and visceral, rhythmically vibrant accretions. "
Classic FM magazine commented " John Metcalfe's music, particularly The Third Fire for guitar and digital delay, is more mainstream classical - modal harmonies and syncopated rhythms lend a Spanish/latin feel: Albeniz or Villa-Lobos scattered by a dazzling, 21st-century prism."
For 'Constant Filter' the Independent gave it 4 stars and commented ...
Using computerised octave-splitters and delay units, Barley achieves a surprising depth of sound and harmonic richness, particularly on the title-track, where echoing wisps of electronic sound flutter around the cello like butterflies; Lonely Bay, on which the concentration necessitated by using a 40-second loop imposes a deep meditative calm; and The Appearance of Colour, where the slow accretion, note by note, of a single 25-note chord produces an imposing serenity."
A Darker Sunset [2008]
Listen to audio samples
|
The Shock of Recognition A Whole Day Nearer Nothing More True Higher, Lighter Felt, Unseen Copper Beech |
Otama Constant Filter Undertow Echo Valley As She Fell |
Video
First Major Upset
[Quicktime; Warning: This footage contains quickly changing images]
Available to buy now from amazon.co.uk
Previous posts
Duke Quartet Update
Peter Gabriel New Blood Update
Matthew Barley plays John Metcalfe 13-15 May
John Metcalfe website redesign
Matthew Barley plays John Metcalfe @ Kings Place
Peter Gabriel New Blood Tour 2010
Release date for 'Scratch My Back'
Beyond The Loop - Ticket Offer
MySpace, Facebook and Last.fm
Beyond The Loop
Peter Gabriel New Blood Update
Matthew Barley plays John Metcalfe 13-15 May
John Metcalfe website redesign
Matthew Barley plays John Metcalfe @ Kings Place
Peter Gabriel New Blood Tour 2010
Release date for 'Scratch My Back'
Beyond The Loop - Ticket Offer
MySpace, Facebook and Last.fm
Beyond The Loop
